Purchased with funds from the North Carolina Museum of Art Docents
From a distance the carved faces in Congregation may appear similar. A closer look shows that each head has its own features, colors, and textures. Artist Ledelle Moe made every sculpture by hand using concrete, dirt, and other materials collected where she worked. Some of the heads include sand from the NCMA grounds.
Perhaps the very act of taking dirt and including it in these works was a momentary act of appropriation of the land and soil, for by including it in the work I take it, I replace it.
Ledelle Moe
Moe created one new head each day while traveling through South Africa and the United States. The growing collection gradually became a record of the places she visited and the materials she found there. Each head connects to a moment in her artistic process while also contributing to the larger installation.
Each sculpted head is about the size of a fist and has a weathered surface. Together the 277 sculptures in Congregation form a single work of art that brings many individual pieces into one group. The arrangement highlights the relationship between each unique sculpture and the collection as a whole.
Making Congregation was a way of making sense of the space around me.
Ledelle Moe
Moe also created two outdoor sculptures in the Museum Park: Collapse I and Untitled. Like Congregation, these large, hollow sculptures use the same materials but show the human figure at a different scale. These works show how Moe uses medium, texture, and form to create different experiences for viewers.
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