Work of Art

investigación de vuelo #5

Creado
1999
Artista
Nacionalidad
Australiano
Nacimiento/Muerte
1959-
Dimensiones
42 3/8 × 94 1/4 inches (107.6 × 239.4 centimeters)
Crédito

Comprado con fondos de Charles Babcock y el Dr. y la Sra. Lunsford Long, por intercambio

Número de objeto
2003.5
Cultura
Clasificación
Fotografía
Departamento
Contemporary

Key Ideas

  • This is a staged image that combines performance art and photography. It is not digitally altered.
  • Rosemary Laing was an Australian photographer. She created staged, large-format photographs that place people in unusual situations within real landscapes.
  • This work is part of the artist’s larger photographic series of flying brides. Laing used the image of a gravity-defying bride in many of her photos to explore ideas about freedom and change.

Más información

Australian artist Rosemary Laing is best known for creating large staged photographs that combine performance art and photography. Her work explores people, places, culture, history, and the connections between people and nature. Her images of people in unexpected situations make it difficult to tell what is real and what is imagined.

 

Laing’s photograph, flight research #5, shows a bride floating high above the Australian landscape. She is dressed in a flowing white gown and appears to hover between rising and falling. The image captures a single moment and encourages viewers to look closely and think about what is happening.

 

The “looking,” from which images emanate, is an act of the mind, as much as it is a reaction of the senses. It is about the huge space between our eyes and what we see, which is infected by everything we have ever come to know and understand.

Rosemary Laing

 

This photo is part of the artist’s larger series, flight research (19982000). The series features flying brides in the Blue Mountains near Sydney, Australia. Laing said she used the repeated image of a flying bride to explore ideas about freedom, transformation, and the desire to move beyond limits set by society and culture. 

 

Laing did not digitally alter the images in her series. Instead she worked with stunt performers to create and photograph each scene. Her 2002 photo series, bulletproofglass, continues the flying-bride imagery in more dramatic scenes.

 

tags: tiempo, mujeres, movimiento, juego, resolución de problemas, tecnología

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