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Máscara funeraria (obra de arte)

Información sobre la obra de arte

Creado
alrededor de 1000-1534
Artista
Artista desconocido (peruano, costa norte, cultura sican o chimú)
Dimensiones
6 1/2 x 9 pulgadas (16,5 x 22,9 centímetros)

Crédito

Regalo de Refford y Charlotte W. Cate

Número de objeto
91.16.9
Cultura
Antiguo Americano
Clasificación
Escultura
Departamento
Nuevo Mundo

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Key Ideas

  • This Sicán funerary mask is from the North Coast of Peru. It is made up of three sheets of hammered gold metal that are held together by tiny metal pieces similar to staples. A thin layer of red mineral covers most of the cheeks and forehead. The pupils of the eyes are round, blue-green beads, each with one small hole in the center. The details of the face include wing-shaped eyes, a three-dimensional nose and mouth, and two circular earpieces. 
  • The cheeks and forehead of the mask are decorated with cinnabar paint. Cinnabar is a rare and intensely red-colored mineral that contains mercury.
  • The Sicán people lived along the North Coast of Peru from about 700 to 1370. The Sicán are also sometimes referred to as the Lambayeque (pronounced lam-ba-yeck-eh)
  • Like the ancient Egyptians, the Sicán mummified the deceased. The mummies in Peru were meant to keep a physical representation of an individual’s status and power after they died.

Más información

This funerary mask is made from a type of gold metal that was abundant to the Sicán people. The mask’s color indicates that it is an alloy, or mixture of metals. During the time in which the mask was made, the mixture of metals would have most likely been gold, silver, and copper. Artifacts of this kind were used to adorn the bodies of deceased rulers inside their burial places. The underside of the mask shows faint traces of the wrappings that once enveloped the mummy. The detailed facial painting indicates the high status of the individual who wore the mask. Mummification was used to preserve the power of a deceased individual. Scholars believe that funerary masks were created to help the deceased embody the power of the Sicán deities or divine rulers.

The cheeks and forehead of this mask were painted with a thin layer of cinnabar. Ancient Americans used cinnabar on sculptures and in murals. They also used it for important ceremonies and burials of individuals with high social status. Many cultures have used red pigments in their burial traditions. These pigments were used in graves, on bodies, and on burial masks. Sometimes human blood was even mixed with cinnabar to create a special paint. This red paint was applied directly to the body of the deceased.

The blue-green beads in the center of the eyes are most likely made of turquoise. Similar funerary masks, with the same type of eyes, have been found during archaeological excavations. The mask’s form is consistent with the Lambayeque (Sicán) style. It features upturned (wing-shaped) eyes, a prominent nose, a thin mouth, and round ornaments on the ears. There are two tiny holes in each side of the mask. They may have been punched into the metal in order to attach danglers.

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Imágenes

  • Una máscara de metal dorado con un rostro de aspecto humano, con ojos azules y verdes y vetas de pintura roja en las mejillas y la frente.

    Máscara funeraria

  • Una máscara de metal dorado con un rostro de aspecto humano, con ojos azules y verdes y vetas de pintura roja en las mejillas y la frente.

    2022-04-18_PERUVIAN_Funerary_Mask_91_16_9_reverse

  • Una máscara de metal dorado con un rostro de aspecto humano, con ojos azules y verdes y vetas de pintura roja en las mejillas y la frente.

    PERUANO, Máscara funeraria, 91_16_9