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Work of Art

Untitled (for Beulah and her Baby)

Work of Art

La huida a Egipto

Work of Art

Virgin and Child in a Landscape

Work of Art

Mercury Lulling Argus to Sleep

Work of Art

Mercurio a punto de decapitar a Argus

Work of Art

Lucrecia de' Medici (1545-1561)

Work of Art

San Jerónimo en su estudio

Work of Art

Triptych for Jean III de La Tour de Boulogne, Comte d’Auvergne, and Jeanne de Bourbon-Vendȏme, Comtesse de Boulogne et d’Auvergne

Work of Art

Virgin and Child “Hodegetria”; (in the spandrels above) The Annunciation

Five panel altarpiece featuring Christ, St. John the Evangelist, the Virgin Mary, St. John the Baptist, and St. Francis against a gold background.
Work of Art

Christ Blessing with St. John the Evangelist, the Virgin Mary, St. John the Baptist, and St. Francis (known as the Peruzzi Altarpiece)

Work of Art

Albarello (tarro de farmacia) con campos alternados de chevrones y motivos florales

Work of Art

Albarello (tarro de farmacia) con formas de letras góticas

Work of Art

Albarello (tarro de farmacia) con diseño de palmetas colgantes

Work of Art

Panel of an altarpiece dedicated to St. Catherine: St. Catherine Freed from the Wheel

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The NCMA’s European art collection spans centuries, from about 1100 through the early 1900s. Featuring primarily paintings, the collection’s particular strengths are in medieval to eighteenth-century art from the Italian peninsula, as well as Dutch and Flemish art from the seventeenth century.

European art is one of the largest collecting areas of the NCMA. Beginning in the early 1950s, the Museum made numerous acquisitions with funds from the State of North Carolina. The resulting group represented a survey of European painting, which was then expanded dramatically by a large gift of art from the Samuel H. Kress Foundation in 1960.

The first three galleries explore art, society, and Catholic devotion in the Middle Ages and Renaissance. Judaic art is then integrated into the European suite to explore connections among artistic expressions and faith traditions. Successive European galleries examine the impact of a new medium—printing—on art and culture between the late fifteenth and early sixteenth centuries; collaborations between artists and patrons in the cities of Bologna and Venice; and seventeenth-century Dutch and Flemish art, exploring the effects of the Dutch War of Independence and the development of painting genres.

The story of European art is often one of the most traditional parts of a museum’s display, and we have sought to enliven this history by acquiring new and diverse works, showcasing increased context and research for our collection, and expanding the narratives we tell.

Lyle Humphrey
Associate Curator of European Art and Collections History

Michele Frederick

Associate Curator of European Art and Provenance Research